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John Wayne’s World
Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalization through complex narratives about transnational exchange-a topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyze the "foreign" with topics such as the s island horror film, the s Mexico-set bullfighting film, Hollywood's projection of "exoticism" on Argentina, and John Wayne's film sets in Africa. Yet, lacking in these colourful lynchpins, the chapters on the western can feel leaden. The U. S-Italian co-production Legends of the Lost Henry Hathaway, finds Wayne trekking across the Sahara in search of treasure with a wealthy French explorer and a local prostitute.
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Wayne portrays a diplomat who seeks to bring the two nations together, just as promotion from the film publicised that Wayne and the U. It is an astute, rigorous and sensitive chapter: a real contribution to the body of work on Wayne.
Meeuf has gone far to dispel the myths that surround Wayne, showing a career that had more variety than audiences and scholars often assume. Across the s, Wayne embodied the values of capitalist modernity, regardless of whether he was performing in anti-Communist romances, gun-slinging westerns or international adventure pictures. Arguably, something very interesting lurks on the periphery of this project.